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When the mainstream media refer to how well British talent have done at prestigious award ceremonies they often use the term: “British Film Industry” however that what they are making reference to is “industry”, and certainly not “British Film”. At next month’s BAFTA awards, the American film Gravity is competing within the category of “Outstanding British Film” and so herein lies one of the numerous problems within the British psyche and certainly within institutions just like the BBC that have never understood what a national cinema means.

I cannot pretend to know all the solutions to what constitutes the nationality of a film, but instinctively I am aware that Gravity is not really a British film. When we spout numbers about how many films get made in the united kingdom, the number of awards our talents receive, the number of jobs are made through UK film production and exactly how much revenue is generated into the economy from such productions; none of these figures highlight ‘the elephant in the room’ which can be that culturally we all do not tell stories that reflect our lifestyle. Films just like the Full Monty become iconic because films having a uniquely British perspective rarely get made or seen. In fact the sole reason why The Entire Monty became offered to a paying industry is just because a foreigner dedicated to it while hailed British institutions just like the BBC and Channel Four turned their backs onto it.

How many films do you observe that reflect our experiences of being British and living on these shores? How many films would you notice that truly reflect our work places, schools, universities, and personalities. I don’t just mean Ray Winstone! We have a rainbow array of personality and culture in great britan that has a representation within the cinema of alongside nil. Forget elitist productions that serve Hollywood’s appetite for that monarchy or English literature; how about our appetite? If you feel people tend not to want to see such British films, then It is best to investigate the takings from the Full Monty and remind yourself who profited!

Not considering that the days of Prime Minister Harold Wilson have we had an elected representative put a value (Eady Levy) on foreigners accessing our paying audience in order to Kia. Ridley Scott, David Puttnam, Alan Parker and many more all benefited and grew from this support system. Trust me, we must have more than simply an Eady Levy to start out any national cinema. The South Korean’s, the French, as well as the Australians have all taken key decisions from Government to safe guard their unique cultures. We, on the other hand have just left it for the Americans which by definition is not very British.

Until we recognize the necessity for a total shift of consciousness the phrase “British Film” will forever become a contradiction, just because a film can never be deemed one nationality when it is owned and distributed by another where all of the key decisions are foreign. This will not constitute a national language of cinema, it precipitates what we have today: British talent and rxkfcr for export.

Hollywood comprises a small part of the Indian Cinema. It refers to the Mumbai-based hindi-language film industry which is the most widely used in India. The name ‘Hollywood’ originates from the 2 words ‘Bombay’ (the first kind good name for Mumbai) and ‘Hollywood’ (the center for your American Film industry).

Though nearly all Hollywood movies is within the language Hindi, usage of Urdu and English words is quite common. The initial Hollywood movie Raja Harishchandra was introduced in 1913. Raja harishchandra was actually a silent movie in monochrome. As well as the first Indian audible movie was Alam Ara released in 1931.

The cost of Hollywood movies is in million dollars, around 10 million dollars. Hollywood movies are liked and watched by people all around the world. It is actually most favored in south-asian countries like Nepal, Bangladesh, Sri Lanka and Pakistan. Many Pakistanis enjoy Hollywood movies but have some limitations by law. The Indians in South Africa, Nigeria and Morocco form a massive audience for these particular Hindi movies.